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Sponsor revenues aside, Jones’ Jewish connections are, indeed, profound, wide-ranging and number far too many for him to dare report the facts and dynamics of the Zionist control, influence and subjugation of much of the planet…even if he wanted to.

— For years, Bob Dylan scholars have whispered about a tiny notebook, seen by only a few, in which the master labored over the lyrics to his classic 1975 album “Blood on the Tracks.” Rolling Stone once called it “the Maltese Falcon of Dylanology” for its promise as an interpretive key.

Dozens of rewrites track the evolution of even minor songs like “Dignity,” which went through more than 40 pages of changes but was still cut from the 1989 album “Oh Mercy.”Classics from the 1960s appear in coffee-stained fragments, their author still working out lines that generations of fans would come to know by heart.

(“You know something’s happening here but you,” reads a scribbled early copy of “Ballad of a Thin Man,” omitting “don’t know what it is” and the song’s famous punch line: “Do you, Mister Jones?

”) The range of hotel stationery suggests an obsessive self-editor in constant motion.

And while the archive is a further step in the canonization of Mr.

The archive also shows the careful work behind even the most disjointed parts of the Dylan oeuvre.

Sitting in climate-controlled storage in a museum here are two more “Blood on the Tracks” notebooks — unknown to anyone outside of Mr. That archive of 6,000 pieces has recently been acquired by a group of institutions in Oklahoma for an estimated million to million, and is set to become a resource for academic study.But the existence of two more books shows how much raw material has been unavailable and unknown for study.The song “Tangled Up in Blue,” with its refracted scenes of a wanderer haunted by a broken relationship, gets a slightly more picaresque telling here, with a refrain absent from the finished recording: “Wish I could lose, these dusty sweatbox blues.” Even in songs that have been pored over for decades, new layers of meaning await discovery.Dylan, now 74, as not just a musical icon but also an American literary giant, the documents are tantalizing in what they do not reveal.A card from Barbra Streisand postmarked November 1978, for example, thanks Mr.

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